Critics have also looked at two scenes in which music breaks down and is exposed to prone reluctance. This practice is often placed in a covert position for disabled people while they are subjected to violence. Versions of the method have been linked to serious injuries and deaths. But when a sacred neighbor, played by Leslie Odom Jr., withholds the music, it is portrayed as an act of kindness: he lies on top of her and says that he “crushes” her with his love. Later, in a public park, he instructs Zu how to use restraint with music.
“It really shows that a project on autism is hollow and doesn’t meet our needs – and can even harm us – if we don’t help tell the story,” said Zoe Gross, advocacy director for the Autistic Self Advocacy Network. said. “This is something that could kill people.”
In a statement sent via email, Odom said, “When we’re doing something, or when we sign up to help someone we respect, we’re doing something, we always hope that the work is the start of a conversation. The filmmakers do the art, but we cannot dictate or decide the content or parameters of the conversation that follows. The other half of the conversation about this work is just beginning. I am listening. “
After news earlier this month that “Music” had been nominated for two Golden Globes (best musical or comedy and best actress for Hudson), three advocacy organizations – Gross’ Network CommunicationFIRST and the Alliance against Seclusion and Restraint – joined forces to join forces an open letter expressing “serious concern” about the containment scenes and demanding that the film be withdrawn from release.
The letter noted that “a committee of non-speaking and autistic people” had been invited in late January to show the film and provide feedback, and that the filmmakers had “not responded and addressed” their recommendations, including the full ones Shortening of the susceptible restraint scenes.
Hours after the nominations, Sia tweeted an apology, saying that her “research was clearly not thorough enough” and that she was “listening to the wrong people”. The star, who deactivated her Twitter account shortly afterwards, also announced that a warning would be added to the film stating that he “does not condone or recommend the use of restraint on autistic people in any way” and that these scenes are off “be removed”. all future prints. “These scenes stayed in a screener provided to a New York Times critic who was reviewing the film.